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宋词的英语翻译应该注意什么

1.中文诗词翻译英文应注意什么

首先一点就是,不能刻板的按照字面意思顺水推舟的解释就完事,要推敲其语境和意境。

中国的诗词就是意境的阐述。寥寥数语就有海阔天空的效果,这是中国诗词的魅力所在。

注意这一点,就大体上知道了诗词翻译的方向。另外呢,语境和已经都体会到了,那么翻译的时候要适当运用这些古诗词的意境运用法并将之略取运用到翻译中去。

注意务必是翻译所用的词语句子和该诗词相映衬。语句连贯而富有感情。

翻译的精髓指出在于,将不易懂的诗词用易懂的现代汉语翻译出来而不失其意蕴。希望楼主多加体会,必能达成。

码字,采纳吧。

2.宋词译英文.宋词译英文.意译其心境.不必押韵.谢谢.鹊桥仙(宋) 爱问

这是江绍伦译的版本: Clouds float creating wonders like artist feats Stars' fleeting regret repeats Across the Milky Way the Cowherd Star silently goes to his annual retreat A single moment together amid golden breeze and jade dew Can eclipse all human affections in multiple heat Their love flows tenderly as water This happy date seems but a dream They had to leave the Magpie Bridge to go each their own way When lovers promise to love forever Need they measure togetherness by hours and day。

3.汉英翻译需注意什么

一、戒“从一而终” 汉语言简意赅,句子灵活,往往是一个汉语词汇对应N个英语词汇,具体到在本句中应该采用那个意项,务必抓住精神实质,不可以不变应万变。

至于怎么应变,这就是显示译者功力的地方了。 比如:都是“问题”,下面的翻译各不相同,几乎是打一枪换一个地方。

共同关心的问题 questions of common interest 解决问题 solve a problem 问题的关键 the heart of the matter 关键问题 a key problem 原则问题 a question/ matter of principle 二、戒望文生义,机械直译 这多半是初学者犯的毛病,他们易于被表面现象所迷惑,做出令人啼笑皆非的事情。

4.求宋词英文介绍

The Lyrics of the S'ong Dynasty (宋词) The ci 词 lyric is very different from the shi type. Today the term ci simply means "word". While the older Tang Dynasty shi lyric can be read without minding the underlying melodies - even if there existed some underlying melodies - ci poetry must be seen as written songs. Most of the poems do not even have their own title, but they are named after an original melody. Composers and writers used this melody to write a new poem that could be sung to the original famous melody or tune pattern (cipai 词牌), a technique called contrafactury. This is the reason why we often see the same title for a ci poem, like Die lian hua 蝶恋花 "Butterflies love blossoms", Man ting fang 满庭芳 "Scent fills the hall", or Yu meiren 虞美人 "Lady Yu". There are more than 800 tune patterns. Ci lyric emerged during the Tang Dynasty in response to the popularity of foreign musical tunes imported from Inner Asia. During Song Dynasty, two different styles of ci poetry developed, the haofang 豪放 "heroic abandon", and the wanyue 婉约 "delicate restraint". Like shi poetry was still in use during the Song Dynasty (see an example of a Lu You shi), ci lyric again became very popular during the Qing Dynasty. Even the communist chairman Mao Zedong is considered to be a great ci poet. The "Three Hundred Song poems" (Song ci sanbai shou 宋词三百首) anthology was compiled by the "Jiangcun ci club" Shangjiang Cunmin 上强村民 under the guidance of Zhu Zumou (1859-1931) 朱祖谋. Except the examples below, there are some famous Song poets, like Wang Yucheng 王禹偁 (954-1101), Liu Yong 刘永 (980-1053), Yan Shu 晏殊 (991-1055), Mei Yaochen 梅尧臣 (1002-1060), Shao Yong 邵雍 (1011-1077), Wang Anshi 王安石 (1021-1086), Huang Tingjian 黄庭坚 (1045-1105), Qin Guan 秦观 (1049-1100), Zhao Buzhi 晁补之 (1053-1110), Chen Shidao 陈师道 (1053-1102), Ye Mengde 叶梦得 (1077-1148), Li Qingzhao 李清照 (1084-1155), Yang Wanli 杨万里 (1127-1206), Chen Liang 陈亮 (1143-1194), Jiang Kui 姜夔 (1155-1221), Shi Dazu 史达祖 (1163-1220), Liu Kezhuang 刘克庄 (1187-1269), Zhou Mi 周密 (1232-1298), Wang Yisun 王沂孙 (1240-1290), and Zhang Yan 张炎 (1248-1320). Of course, every official engaged in writing ci poems as authorship of poems belonged to the basic knowledge of the upper class.。

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